Control Silas
Direct top-down movement, cover behavior, health, weapons, and pressure-aware traversal.
Game adaptation
WESTFALL: The Game
A modern top-down thriller adaptation where evidence drives the mission chain and Silas moves through the world like an operator.
Visual target
Readable like GTA2. Lit like a prestige thriller. Grounded in WESTFALL canon.
The game should adapt the book's evidence chain instead of inventing unrelated missions. The first vertical slice begins with Terminal 7 because it proves the story engine: a public space, an ordinary object, and proof that changes the mission.
MISSION LADDER / PUBLIC PREVIEW
01 / Terminal 7: evidence-first vertical slice
02 / Brellford: public surface, restricted floors
03 / Safe House 87: rescue pressure
04 / Go Home: vehicle, route, consequence
rule: book canon leads the game
Core systems
Public spaces to Brellford floors
Roads, offices, interiors, stairwells, service rooms, and rooms that matter because the book makes them matter.
Evidence drives missions
Files, testimony, records, cache retrieval, and route decisions become objective logic.
Terminal 7 first
Start with the evidence rupture. Escalate later to Brellford, Safe House 87, and Go Home.
Guardrails
Ambitious without hijacking the book site.
DoFrame the game as a top-down thriller adaptation of the book.
DoShow that Terminal 7 is evidence-first, not a disconnected tech gimmick.
DoKeep the mission chain grounded in Brellford, Safe House 87, Bakerton, and Go Home.
Do notTurn the page into a generic stealth arcade pitch or a game launcher.